In The World Of Billionaires
California emerged as the centre of a heated financial debate. Voters in the state may soon decide on a proposed 5% wealth tax aimed squarely at California’s 246 billionaires. If approved, the tax could extract massive sums from individual fortunes—potentially costing Mark Zuckerberg as much as $11 billion and Kim Kardashian approximately $90 million.
Support for the proposal has been mixed. NVIDIA CEO Jensen Huang has publicly backed the idea, while other technology leaders, including Google co-founders Larry Page and Sergey Brin, have reportedly begun shifting assets to lower-tax states. Critics argue the measure amounts to asset confiscation and warn it could damage California’s technology-driven economy. High-profile figures beyond Silicon Valley, including athletes such as LeBron James, could also face substantial losses.
Despite the opposition, the tax is projected to generate hundreds of billions of dollars for California between 2027 and 2031 if it qualifies for the November ballot and gains voter approval. Governor Gavin Newsom has expressed opposition to the proposal, underscoring the political uncertainty surrounding its future.
Across The Pacific
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| Two leading AI model companies—Zhipu and Miniax—successfully went public on the Hong Kong Stock Exchange |
Meanwhile, across the Pacific, China’s artificial intelligence sector reached a major milestone. Two leading AI model companies—Zhipu and Minimax—successfully went public on the Hong Kong Stock Exchange, creating two new billionaires in the process as China accelerates efforts to compete with OpenAI and other global AI leaders.
Zhipu raised $558 million in its initial public offering, elevating its 49-year-old co-founder and chairman, Leu Debing, to billionaire status with an estimated net worth of $2.1 billion. Just one day later, Minimax followed with a $618 million listing. Backed by Alibaba and the Abu Dhabi Investment Authority, the company’s IPO pushed its 36-year-old founder, chairman, and CEO Jean Jun into the billionaire ranks with a fortune estimated at $3.2 billion.
In geopolitical finance, major shifts in Venezuela’s leadership could translate into significant financial gains for a small group of investors aligned with former U.S. President Donald Trump. The removal of Venezuelan President Nicolas Maduro has opened the door for asset restructuring tied to the country’s energy sector.
Hedge fund billionaire Paul Singer, with a net worth of $6.7 billion, stands to benefit substantially from the recent acquisition of Venezuelan oil company Citgo and its three refineries along the U.S. Gulf Coast. The $5.9 billion deal—widely regarded by analysts as deeply undervalued—was backed by alternative investment firm Oaktree Capital Management, led by billionaires Howard Marks and Bruce Karsh. Debt financing for the acquisition was led by Apollo Global Management, overseen by billionaire Trump supporter Marc Rowan.
Entertainment
In the entertainment industry, wealth creation has increasingly shifted away from traditional album sales and toward ownership, touring, and large-scale business integration. This shift has propelled a select group of musicians into billionaire territory.
Beyoncé became only the fifth billionaire musician identified by Forbes, following years of steadily rising earnings. Her 2025 Cowboy Carter Tour grossed more than $400 million, pushing her total net worth past the billion-dollar threshold. Unlike many artists, Beyoncé operates nearly every aspect of her career through her company, Parkwood Entertainment, including tour financing, video production, and management. This vertical integration has allowed her to capture a larger share of profits while assuming greater financial risk.
Her wealth is driven primarily by touring revenue and ownership of her music catalogue, which she gradually repurchased over time. Additional income streams include SirDavis Whiskey, the Sacred haircare brand, Lemon Perfect beverages, and shared real estate and art investments with Jay-Z.
Jay-Z remains the richest musician, with an estimated net worth of $2.5 billion. His fortune spans music royalties, early investments such as Uber, Rock Nation management, and successful luxury beverage ventures. Taylor Swift follows closely, with wealth driven almost entirely by music, touring, and full ownership of her catalog—an unusual distinction in the industry.
Other billionaire musicians include Rihanna, whose wealth stems primarily from Fenty Beauty rather than music, and Bruce Springsteen, whose five-decade touring career generated consistent high earnings. Kanye West previously appeared on the list but no longer qualifies.
The rise of billion-dollar music fortunes highlights a broader transformation in the industry. Stadium tours have become the dominant revenue engine, often surpassing streaming and album sales by a wide margin. Artists capable of selling out multi-night stadium residencies can amortize enormous production costs while attracting fans willing to travel across countries and continents.
This model has also spawned lucrative secondary revenue streams. Concert films, behind-the-scenes documentaries, and direct-to-theatre distribution deals—often bypassing traditional studios—have become standard practice for top-tier artists. Taylor Swift and Beyoncé set the benchmark by partnering directly with AMC Theatres, allowing them to retain a significantly larger share of box office revenue.
At the top of the annual earnings rankings, The Weeknd claimed the leading position following the partial sale of his music catalogue. The deal, structured with a combination of equity and convertible debt, carried a potential valuation headline of $1 billion, though the current realised value is estimated closer to $250 million. Combined with touring income and streaming dominance, the transaction marked a defining financial moment in his career.
Despite growing headlines, billionaire musicians remain exceedingly rare. Touring margins are often thin, production costs are massive, and streaming platforms return only fractions of a penny per play. For most artists, even successful tours yield modest profits, and many never break even.
Only those with global fan bases, ownership control, and the capital to self-finance large productions can consistently generate outsized returns. As a result, future musician billionaires are likely to emerge either from legacy artists with decades of accumulated earnings or from younger stars capable of sustaining stadium-scale success over long periods.
As wealth continues to concentrate at the top of entertainment, technology, and global finance, the modern billionaire class is increasingly defined not just by talent or innovation—but by ownership, leverage, and scale.
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